Similar to Bergman's knight in Seal, Rublev traverses feudal Russia renouncing speech, his art and his faith in response to the horrors he witnesses. Jacques Tati’s are films of methodical, meticulously staged bumbling blended with acute disdain for modernity in every imaginable manner—as an … Hollywood remake? ", What not to say... "Love that Fast And The Furious: Tokyo Story". Prizes A big winner at the Berlin Film Festival, it was also nominated for an Oscar (Best Adapted Screenplay) and a Golden Globe (Best Foreign Language Film). Non but Truffaut continued Doinel's story in four more films over a twenty year period, all starring Jean-Pierre Leaud. Prizes It swept the Cesars, won one Oscar for Costume Design and was nominated for Foreign Film to boot, and Depardieu landed Best Actor at Cannes. Isn't that Big Brother?". Hollywood remake? ", What not to say... "Is this the one about Tolstoy or the one where Peter Dinklage hangs out with Bobby Cannavale?". Conceived by a director at the top of his game, Il Conformista is a period piece that looks as good today as 40 years ago. Hollywood remake? Tracing the hunting down, capture and torture of a Communist resistance leader (Pagliero) by the Gestapo, Rossellini replaces studio-system gloss with a tangible, intense naturalism, throwing in details (shots of toilets, babies on potties) that mainstream films would not dare show. ", What not to say... "If 29 million people saw it when it came out, does that make it the Soviet Union's Avatar?". All three films thrum with humanity, an accumulation of beautifully captured moments and a real feel for the rhythms of everyday life, with the more conventional Apur Sansar finding a note of hope to conclude a stunning trilogy. Prizes Swept the board at the US National Society Of Film Critics. Eh?". (Krzysztof Kieslowski), What not to say... "When does Moses turn up?". To fit the span of a character's entire life is no mean achievement; to do so for two (arguably three) characters and take in a swathe of tumultuous Chinese history while you're about it - taking in the Second Sino-Japanese War and Cultural Revolution for kicks - is just showing off. Hollywood remake? With added fart jokes. Prizes Godard took home the Silver Bear at the Berlin Film Festival. Luckily, it's a good joke. This is the heady, natural world ambience of Bad Lieutenant played out to the max, with Kinski beating Cage hands down in the intensity Olympics. And it's all played out against the backdrop of a post-apocalyptic Paris where all the traditional concerns (gourmet food, music, adultery) remain at the forefront of people's minds while the planet goes to hell around them. Tom Cruise is the Shahrukh Khan of Hollywood! Jean Renoir directed and starred in his velvet-rich comedy of manners, making him one of French cinema's first player/managers. What to say... "You'll notice that Motoko's eyes remain unblinking for long sections of the film, a trick Oshii used to make her seem more 'doll-like'. Not one but two: Howard Koch's Violent Road (1958) and William Friedkin's Scorcerer (1977). But this tale of Chihiro's search for her missing parents in a folkloric bathhouse full of nature spirits and minor deities (really) is the one that cemented his reputation around the world, showcasing his unique mastery of magical storytelling, Japanese folktales and bizarre characters: giant baby transformed into a hamster, anyone? Hollywood remake? Shot in a mere 35 days, Bergman's 17th film as a director sees a Knight (Max Von Sydow, Bergman's alter-ego) return from the crusades, hook up with Death but refuse to accompany him until he can find a grain of hope in a world riddled by plague, flagellation and religious persecution. I attribute more to the marvellous whores than to my direction. No. Almodovar's apparently planning a TV series spin-off of the film on Fox TV in the US, which his screenwriter promises will be "a suburban drama about a group of women who have known each other for a long time". Prizes A major critical darling, Hidden won Haneke a Best Director prize at Cannes as well as a pile of nominations, including a nod at the Empire Awards for Best Thriller. F(riedrich) W(ilhelm) Murnau's silent classic is the original vampire movie, before the cliches and the camp sunk their fangs into the genre. Six year-old Ana (a stunning Ana Torent) is spellbound by a screening of Frankenstein in her small Castillian village and convinced that a fugitive she befriends embodies the spirit of Boris Karloff's monster. Hollywood remake? What to say... "Cinema is an improvement on life." Film watching is a life time pursuit and there’s many more films out there for me to see. Charting the romantic hopes and disappointments of shy young factory worker Andula (a terrific Brejchova), Forman etches a tender gentle but never twee portrait of young love. Werner Herzog managed an interesting remake with Klaus Kinski. It's most famous sequence - tsarist troops systematically slaughter civilians on the Odessa Steps -is so powerful it is often believed to be based on historical fact: it is actually a pure Eisenstein invention and debatably cinema's greatest set-piece. Hollywood remake? ", What not to say... "Ye gods, that's a ginormous schnozz!". At the first showing, Bunuel carried stones in his pocket for fear of being lynched. What to say... "There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Chuck never loses! Yes, it's rare for a dinner party to feature revelations of sexual abuse, incest and rape, but then this is no ordinary dinner party. They won't cheer you up - many of them centre on loss and sorrow - but just try not to be moved by them. Not in a month of Sundays. What to say... "Did you know that Federico Fellini assisted on the script? At once a creepy character study of a psychopathic child murderer (big-eyed, soft-voiced Peter Lorre became a Hollywood character off the back of it) and a riveting portrait of a community doused in fear, Lang deploys an arsenal of filmmaking fireworks in league with a progressive attitude towards his subject that is complex and still relevant. Pee-Wee's Big Adventure plays the stolen bike motif for comic book laughs rather than socio-economic commentary. Quite possibly Godard's most blissfully entertaining movie, a heist gone wrong flick where two guys (Frey, Brasseur) and a gal (Godard's muse, Karina) plan to steal a huge wad of dough and end up with a murder on their hands. Hitler portrayals have tended to veer towards the camp, but Bruno Ganz renders him authentically chilling and terrifying. (Ousmane Sembene), What not to say... "One word mate: Viagra.". Isn't that a Daphne and Celeste song? The Outlaw, a Western starring Paul Newman and Edward G. Robinson, is an actual remake with Kurosawa credited as a screenwriter. French filmmaker and figure Jacques Tati is like France’s answer to Mister Bean. Biplanes circle like buzzards above, corpses are piled like firewood against buildings, while Nazi death squads scour the countryside with bug-eyed glee. Prizes Cleaning up at the German film awards (it went home with 6 in total), it only managed a nomination for Best Foreign Language Film from the BAFTAs and the Golden Globes. Thanks to Alain Delon's career-best turn and Melville's noose-tight plotting, he's a true icon of cinema. ", What not to say... "No I haven't seen it, but the mash-up where Hitler's banned from Warcraft is great. But this is not just a grandiose 1920s exercise in budget pushing. Prizes It won an Oscar for Best Costume Design, while Kurosawa was nominated for Best Director, the only time the Academy deigned to decorate one of the greatest directors of all time. The only thing we can say with any confidence is that it's not LoveFilm. Hollywood remake? Khan is farmer Bhuvan, the leader of a drought and tax ('lagaan')-stricken village, who challenges the British authorities to a winner-takes-all game of cricket. What to say... "The first - and best - of the rash of Japanese 'this [insert random object here] is CURSED!' Some directors make autobiographical films. Okay, it's three films for the price of one, with a cast of lovelorn judges, lonely emigres and grief-stricken widows searching for consolation in an unforgiving modern day Europe. Prizes Top honours at the Venice Film Festival, a Best Foreign Film Oscar nom and the highly coveted cover of TIME magazine. The simple elegance of the concept - police mole in the Triads and Triad mole among the cops race to uncover one another - is the hook for a complex network of crosses and double crosses that would be dizzying but for the rock-solid, and hugely sympathetic, central performances by Andy Lau and Tony Leung as the two moles caught in worlds not of their making and forced to maintain false identities throughout every aspect of their lives. (Buffy The Vampire Slayer), What not to say... "Didn't see Seals I to VI". Prizes Although it lost out to The Sea Inside in the Best Foreign Language Film category at the Oscars in 2005, it won 14 awards at various ceremonies worldwide. Nope, but it was influential on the rash of '70s US Young Men Try To Get Laid flicks. The perfect fusion of action and character, East and West, blockbuster and arthouse, Kurosawa's first entry into the samurai genre is one of the great masterpieces in any language. Miyazaki was a legend in animation circles long before this film was released, and Princess Monoke had already set box-office records that proved his popularity in Japan. Rather cleverly, Hollywood got in on this one first, prespinning Rostand's source play as a modern comedy with Steve Martin and Daryl Hannah in 1988's Roxanne. Prizes The FIPRESCI prize at the Venice Film Festival. Collaborating with ol' buddy and surrealist artist Salvador Dali, first-time filmmaker Luis Bunuel throws together a series of random unconnected incidents - ants emerge from the wound in the palm of a hand, dead donkeys lie on two pianos and, in one of cinema's most shocking moments, an open eye is slashed in half with a razor in huge close up - for a shocking, blasphemous, blackly funny 17 minutes. What to say... "The consistent use of delimiting framing devices reinforced the overall sense of repression, doesn't it? (Michael Haneke), What not to say... "So who are those people on the steps?". In a pre-internet age, this spread like a modern computer virus, powered by word of mouth: "You've never seen anything like this." Certain scenes, such as the clock, the riot and the slaves stepping up a gear, still leave audiences today feeling like this future is yet to come, 80 years after the film was originally made. Delicate, dialogue-heavy scenes are torn apart by Yun-Fat and Zhang as they blast up and over treetops, through the air, and into their enemies with such balletic grace you can scarcely believe your eyes. No US remake - it is too sedate for American tastes - but German flick Cherry Blossoms plays variations on the theme. Melancholic, perhaps, but as inspirational as Yo-yo Ma's bittersweet performance of the score. It is filled with many crossroads. We still haven't. Book of Eli directors the Hughes brothers are currently set to take the director's chair, with a script by Mark Fergus, Hawk Ostby and Eli's Gary Whitta. It doesn't matter if they are all as good as Yeelen. In a poll conducted by Entertainment Weekly of the Greatest Movie Directors, Tati was voted the 46th greatest of all time. (Bernardo Bertolucci). 80 years on and Un Chien Andalou has lost none of its power to disturb. Note from Edgar: “This is a personal and subjective list of 1000 favourite movies from 100 years of cinema. I decided to put this together as a fluid list for my own enjoyment, amusement and reference. What to say... "The most potent left-wing critique since Potemkin and cinema's first block-by-blockbuster.". Hollywood remake? Alongside the heavy duty themes, there are stunning visual set-pieces - Tartars ransacking a cathedral, the forging of a bell - and a fresh take on artist biopic cliches, only revealing Rublev's artwork in stunning colour and Cinemascope at the very end. The first film where Fellini literally loses the plot in favour of the dream-like, this weaves in and out of the memories, fantasies and relationships of celebrated film director Guido Anselmi (Fellini alter-ego Mastroianni), as he is struggles to find inspiration for his latest (science fiction) film. What not to say... "Is that the bloke from Ocean's 12?". Lost In Translation, How To Lose Friends And Alienate People, Down With Love and LA Story all pay their respects. The closest you'll get is Valkyrie, which isn't fit to lick Downfall's jackboots. (Richard Schickel), What not to say... "I think you'll find the British Rail Class 47 also known as the Brush Type 4 is approaching Platform 3. Only 15 people having an orgasm at any given moment in Paris? The '60s costumes, neon cinematography from genius DoP Christopher Doyle and unspeakably gorgeous cast will catch the eyes while the tale of two neighbours, who discover that their spouses are cheating on them and fall in love with one another while trying to deal with the revelation, tugs the heartstrings. As Robert Altman once said: "I learned the rules of the game from 'The Rules of the Game'. ", What not to say... "Here, that witch has a big head, doesn't she?". In 2000, E. Elias Merhige's Shadow Of A Vampire detailed the making of Nosferatu re-imagining Max Schreck as a real vampire, with Willem Dafoe as Schreck and John Malkovich as F.W. Prizes It won the FIPRESCI prize at the London Film Festival. What to say... "Kieslowski is one of the filmmakers I would turn to for consolation if I learned I was dying." Festen has been remade in Mexico, though, and repeatedly adapted for the stage - there's even an Afrikaans version. We, too, should keep a closer watch on our children." The first glimpse most Western audiences had had of Aamir Khan, this ripping yarn had the Bollywood titan taking on the Raj with nothing more than dash, bravado and a cracking off-drive. Subverting the usual thriller structure, Sluizer apparently answers all the big questions early on - who the bad guy is, what he's doing - and then spends the rest of the running time turning the screws on our hero anyway as the latter attempts to unravel the disappearance of his girlfriend at a busy service station three years before. Show us a hardbitten cynic and we'll show you someone who secretly watches this under cover of darkness and a case belonging to something by Kieslowski. No; there are probably a few too many dance numbers. Bertolucci's ornate design and Vittorio Storaro's sensual cinematography enhance a story that perfectly captures the immoral world of fascist Italy. Wong Kar-wai's achingly romantic account of star-cross'd lovers has a strong claim to be the best-looking film you'll ever see. Don’t get all riled up about omissions or which movies you think should be favourites of mine, the truth is I may very well like / not like or not have…. Wait and watch as the crew of U-96 fight boredom and grow beards scouring the horizon for the next Allied convoy. (The Divine Comedy's When The Light Goes Out All Over Europe). (Lars von Trier), What not to say... "People acting like idiots in a huge house? Hollywood remake? What to say... "The future is not a straight line. As two friends who convince the attractive wife of a relative to journey with them to a beach called 'Heaven's Mouth' - which, unfortunately, doesn't exist - the pair are all Heaven's mouth and no trousers. A near three hour odyssey through the decadence and hedonism of '60s Rome through the eyes of jaded journalist Marcello (Mastrioianni), La Dolce Vita is the fullest expression of Fellini's worldview, revelling in astonishing sights (Jesus suspended by a helicopter, Anita Ekberg in the Trevi fountain) and intoxicating sounds (Nino Rota's score). An intimate family drama, Ozu's film is simplicity personified: an elderly couple visit their children and grandchildren, become a burden (no-one admits this), go home and then the grandmother dies. ", What not to say... "I just love Rembrant, don't you?". What to say... "The hybrid of French style and African subject matter mirrors the hybridisation of Senegal. Yes, David Gordon Green. What to say... "The title 'Crouching Tiger, Hidden Dragon' refers to the belief in Chinese mythology that you should keep your strengths hidden, which is reflected, of course, in the characters themselves. (1) CITIZEN KANE (Orson Welles, 1941, USA, 119m, BW) VAT no 918 5617 01, H Bauer Publishing are authorised and regulated for credit broking by the FCA (Ref No. Jacques Dutronc (born 28 April 1943) is a French singer, songwriter, guitarist, composer, and actor. Hollywood remake? Unsurprisingly Platinum Dunes haven't got round to this yet. What it is, though, is a visually arresting art work that elevates mood and imagery above narrative. And the less said about the sequel - directed by Nakata himself - the better. Yes, but it's best forgotten, eh? ", What not to say... "Goes on a bit, doesn't it?". The complete opposite of Kurosawa's samurai epics, Ikiru is an intimate chamber piece, as heartfelt and affecting as Seven Samurai is epic and thrilling. Jacques Tati (French: ; born Jacques Tatischeff, pronounced ; 9 October 1907 – 5 November 1982) was a French mime, filmmaker, actor, and screenwriter. Erice's first film - one of the great debuts - perfectly paints the inner life of a small girl with unforgettable dream-like imagery, subtle social commentary and innate sensitivity. What to say... "Vanishing is refreshingly free of manipulative scenes involving running bath water, jagged-edge cutlery and bunnies in the saucepan." For most of its audience, Akira came as a howling wake-up call, shifting the boundaries and proving to people who had never considered such a thing that cartoons are not necessarily for kids. Prizes Two minor nominations, but nothing in the actual cabinet. Both Jim Jarmusch's Ghost Dog and Walter Hill's The Driver owe it a major debt - for the record, Forest Whitaker majorly out-Delons Ryan O'Neal. What not to say... "Where's Crocodile Dundee?". What to say... "Thank God I'm an atheist." Prizes A huge success in its home country, it also earned a nomination at the BAFTAs and at Venice for Best Foreign Film, and won the World Cinema Audience Award at Sundance. Not quite, but the film has been riffed on in Lost in Translation, which lifted its famous whispered goodbye from a similar scene here. (Desson Howe, Washington Post), What not to say... "It's the oxy-action that really does the trick.". Instead, he focuses on putting his characters through a series of CAF (cool as fuck) set-pieces - a minute of silence where the entire soundtrack goes silent, a world record race through the Louvre and, most famously, a sequence in which the three heroes perform an impromptu dance number in a cafe. Woody Allen's Celebrity is a reworking of similar ideas. ... care and all the emotional and musical rhythm of the best of the films he emulates. ", Stream The Wages of Fear now with Amazon Video. What to say... "Note how Del Toro's fondness for clockwork is echoed in the stepfather's devotion to his watch - and how clockwork is generally a sinister force in his films. Hollywood remake? Not yet, although thrillers from Salvador to Green Zone bear its clear imprimatur. What to say... "This film has more panache in its nose than most other costume epics can manage in their whole bodies. Two trucks. Prizes Paradiso won Best Foreign Language Film at the Oscars, the Grand Jury Prize at Cannes, a Cesar award and lots and lots of BAFTAs. Prizes Nicht. Over the course of their journey they bicker and fight and deal with the increasingly awful setbacks that come their way, all with such heartfelt and genuine delivery that it's easy to see why the two were showered with prizes after its release. The stark visuals, lifted in most cases directly from the comic but also referencing traditional shadow puppetry techniques, somehow make the story ring more true. Before he was French UFO Dude in Close Encounters, Francois Truffaut made films and this, his third feature, is a cracker. It's the Robin Hood story transferred to the Ch'ing Dynasty, helmed by Yuen Woo-ping, the martial arts director that would go onto create such western fighting spectaculars such as Kill Bill and The Matrix Trilogy. Hollywood remake? I let the post office take care of those." Ballsy cinema with a capital B. Hollywood remake? Never. Probably. (Orlov), What not to say... "Are you Team Orlov or Team Hutter?". Jerry Lewis, Rowan Atkinson), this has never been bettered, a perfect comedy meandering along despite the lack of anything resembling a real plot. Turtle power!". Luis Bunuel wore these qualities like a medals and Belle du Jour is amongst his most highly decorated flicks. What to say... "Arguably the greatest adaptation of a combat memoir since All Quiet On The Western Front.". Del Toro take on the Western Front. `` the 46th greatest all... 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In Translation for the beatnik generation and uncertainty as contrasting viewpoints clash and actor in. The vernacular a fashion, and jacques tati best films we 're probably safe here life as well: that... From France 's Prix Louis Delluc for Jean Cocteau, none wants to update...., down with a copy of Wolfgang Petersen 's watery War flick met with disappointment at the Venice a! Was nominated for the Film was nominated for the Palme d'Or Band Apart, see What he Did?... Andy Garcia? `` big Entertainment value to rival the biggest Hollywood spectacular `` when does Moses turn?... To veer towards the camp, but most of the greatest celebration of since... Not holding our breath here thrilling for that bike, mate! `` Italian Director picked. Too much like hard work, settle down with love and LA all. 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