Auit most commonly was an umbrella term to refer to “all songs” (all that is vocally produced). Pictures -, Philippine History: Fashion from the Spanish Era Spanish Influence on Philippine Fashion, http://en.wikipedia.org/wiki/Filipino_mestizo#Colonial_caste_system, http://en.wikipedia.org/wiki/Aeta#Clothing, http://en.wikipedia.org/wiki/Austronesian_people, http://en.wikipedia.org/wiki/File:Pinayavatar.jpg, http://en.wikipedia.org/wiki/File:Meztizo_Spanish_Woman.png, Philippine History: Music from Spanish Era Spanish Influence on Philippine Music, http://en.wikipedia.org/wiki/Music_of_the_Philippines, http://en.wikipilipinas.org/index.php?title=Harana, http://www.seasite.niu.edu/Tagalog/love.htm, http://en.wikipilipinas.org/index.php?title=Kundiman, http://pelikulaatbp.blogspot.com/2008/05/pre-war-filipino-movies.html. The Kundiman may be similar to European books on plainchant and polyphony could also easily be found in local bookstores. The extravagant festivals were actually part of a political strategy.

This is so Both the some examples of Harana songs are. Starting in 1571, Manila became a node in the annual trade to Acapulco, a network that was sustained for three centuries. The pasyon had its beginnings already as a syncretic genre, because it is a musicopoetic performance that accounts the life of Jesus Christ. Thus, the voyagers kept their religious beliefs close, worshipping Catholic figures with music. However, this knowledge remained accessible to the rest of the populace. Each pueblo or town had 4-8 cantores. Change ), You are commenting using your Twitter account. In some cases, writers sought to force the Spanish rules of versification upon the Filipinos, making their judgments based upon their ideas on what poetry should look or sound like. The Salve was sung on Saturdays at dusk, and the Te Deum was also frequently sung. "Walay Some survived by amalgamation with Spanish poetic forms. Mestizo de Sanglay, Angay", "Ay Kalisud", "No Duaduaem Pay", Harana is also called “Habanera Filipina”. Performers rendered the loa completely from memory.

Some composed loas in indigenous languages with Spanish thematic content or style, and others composed loas completely in the Spanish language and style. Filipino church musicians, called cantores, were similarly exempted from tribute, raising their social status. Another way in which the word auit was used was to refer to “songs sung in the house”. If you would have asked a Filipino in Manila what music was for he would have said these: Music is for God’s (or the Virgin Mary’s) glory. Such was the state of culture of the Filipinos when Ferdinand Magellan arrived in the Philippines at the head of a Spanish expedition searching for the Spice Islands in 1521. European clergymen brought the first European instruments to Manila. Tomes on musical history and theory, as well as sheet music, arrived in Manila as a result of this trade. According to records of ethnographers, all Filipino poetry was sung. Sailors spread devotional music or spiritual verses sung to popular tunes; these were retained by memory and transmitted orally. Spanish-Malay mix. ( Log Out /  This colonial Upon hispanization, Filipinos preferred to worship the Virgin Mary, oftentimes more than Jesus Christ, God, and the Holy Spirit. The Chinese, attracted by the trade opportunities Manila presented, long had a presence in Manila before the arrival of the Spaniards. like necklaces and bracelets which are thick bangles. Various studies on Tagalog, Visayan, and Kapampangan poetry have been written. Some examples of indigenous musical instruments include: Men and women flirted by playing the kutyapi and the corlong, causing many missionaries to look down upon the instruments as those which expressed lascivious desires. These verses were completely sung and praised ancestors, a brave man, or a beautiful woman. Festivals were officially divided between “civic” and “religious”, although frequently there was an overlap between the two. Tomes on musical history and theory, as well as sheet music, arrived in Manila as a result of this trade. The Spanish loa was performed in three ways, in a theatrical setting. “Tapat” is from The Filipinos interwove into their own version elements from the original dance. Harana. from before. The

would think baro’t saya, Maria Clara dress, barong tagalog and camisa de chino.

Manila connected to mainland China, giving Manila the title of the “First Global City”. The Negrito Class was Sailors spread devotional music or spiritual verses sung to popular tunes; these were retained by memory and transmitted orally. For example, dance, theatrical, musical practices that were deemed to be pagan were eliminated and replaced with Christianized substitutes. The cabezas and their families, as well as other Filipino nobility, were exempted from paying tribute. Introduced during the Spanish colonial period, the habanera, a piece of music named after Havana in Cuba where it originated, is a dance in slow duple meter with step-close-step pattern, similar to the tango. But it must be said that Spanish musical culture did not just spread through Manila through printed material.

from their ancestors.

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The Culaing: The Kapampangan Jaw Harp, made out of bamboo, The Subing: Visayan jaw harp, described as having a sound “as robust a sound as lively as those made of iron.”  (95), The Tambuli: A trumpet made from the horn of a local water buffalo, used for signaling. the descendants from pure Aeta clans. The Harana is But during this period, there existed a colonial caste system. fashion or clothing during the Spanish Colonization of the Philippines, we

Era as a means to express one’s love for country and longing for freedom. Create a free website or blog at WordPress.com. Polychorality, music, and dancing accompanied festivals. Three syncretic musical genres emerged through this hispanization. History of Spain in the Philippines The time that the Philippines was under Spanish rule make Manila was hailed as a “city of churches”, “center for European education”, and the “Rome of the East”.

The Philippines today is all but a product of its colonization in her adolescent years. Music instills loyalty to the Spanish Crown.

The Spanish loa came in the late 16th century. When we speak about fashion or clothing during the Spanish Colonization of the Philippines, we would think baro’t saya, Maria Clara dress, barong tagalog and camisa de chino. Manila connected to mainland China, giving Manila the title of the “First Global City”. Scholars have noted that the division between “seasonal” and “occasional” was more accurate. Mestizo de Espanol is People, commodities, and ideas spread through this maritime network. Seasonal fiestas occurred annually on holy days and had standardized musical practices. the camisa de chino. The narrative on Christ is interrupted by a type of homily called an aral (lesson).

The iconic indigenous instrument, the name derives from the Sanksrit term for lute. The Filipinos’ penchant for vocal music became a trope found widely within the country’s literature. Mixed as in mixed blood or people from different This density of religious and cultural institutions was one of a kind in the Asian region at that time. The image or statue of the Virgin of Antipolo (so named because she was housed in Antipolo city, two days’ walk from Manila) often accompanied these maritime voyages. Manila was a flourishing, bustling metropolis, as a number of foreign artists have depicted in illustrations. Music and the other performance arts had stronger power to introduce the precepts of Catholicism to the local population more than the outright teaching of doctrine. In addition, singing, dancing, and performing dramatic works effectively fostered relations and made them more receptive to Spanish ideas or policies.

As mentioned in the first post, the basic sociopolitical unit of the Filipinos is the barangay, led by the cabeza de barangay (“head of the barangay”).

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