Lee’s background as a beatmaker is still the guiding force on Oasis Nocturno.

In 2015, TOKiMONSTA lost the ability to hear music.

She had recorded the record in the wake of undergoing surgery for Moyamoya, a rare brain condition; while recovering, she temporarily lost her ability to understand speech or music. Rosehardt’s echoey vocals are worked deeper in the mix on “Higher Hopes,” but the watery synth still feels aimless. As she has worked vocals into the mix, she has also embraced more genres. ‘Oasis Nocturno’ in all its swirling, pulsing glory gives me control in all the ways I can’t describe.

She also works extensively with house and house-adjacent beats for the first time, frequently slowing the tempo to a ruminative, heads-down pace. She broke down the walls between niches within electronic music and pop, rock, rap or R&B. Elsewhere though, they feel like they compromise Lee’s true production abilities, squashing the instrumental to make room for the vocal feature. The album’s song titles—“For My Eternal Love, Dream My Treasure,” “Love That Never,” “To Be Remote”—hint at stories Lee might be trying to tell; combined with the predominantly minor keys and slow, house-inspired grooves, they signal a newfound heaviness.

Let the badass producer bang out those well-produced beats, house-adjacent to polyrhythmic straight away hitters, that cook along in deep hustle mode and really donʻt give a damn if their Spotify ready, pop-friendly ear-jammers. It feels like a night overloaded on various psychedelic substances with since the idea of the track came from the three artists experiencing a psychedelic trip at a house party in the hills of LA.

It was almost philosophical in nature: While beats are often considered background, Lee and peers like Flying Lotus considered them the main event. Outside of a couple choice cuts, much of the material here will leave very little if any impact, existing deep into the algorithms of Spotify study playlists. This new record is similarly moving and can be understood as. Providing a nice break from the more upbeat and wild instrumentation on Oasis Nocturno , this vibrant song takes a peaceful backseat in the psyche, calmly proclaiming that "love will come and go." All rights reserved. House of Dal contains a myriad of attention-grabbing details, while Get Me Some is an R'n'B-inflected jam featuring appropriately soulful vocals. Grammy-nominated artist, producer and Young Art Records label head TOKiMONSTA is someone who has represented the genre-fluidity that took hold of dance music in the 2010s. In contrast, the vocals sound underdeveloped, and it often feels like Lee is holding back in order to make room for them, sacrificing complexity for glossy restraint.

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