His former superior was legendary lawman Tom Destry, now retired, but his son, Thomas Jefferson Destry, Jr. (James Stewart), accepts the call of duty and arrives in Bottleneck — and he’s not at all what anyone expected. Sentence is passed with a single shot. Intriguingly, Telaroli compares King to documentarian Frederick Wiseman, perhaps the most famous portraitist of social infrastructure. Their lack of love makes them perfect for marriage, they conclude, and their perfectly imperfect union makes them an attractive target for the dissolute doings of Countess Elizabeth Bathory (an infallibly elegant Delphine Seyrig), the only other guest of note at the Belgian hotel at which Stefan and Valerie are spending their honeymoon.

“The genius of Destry Rides Again is that it weaves together its comedy with the elements of a true western.”. A notable entry in the filmography of its director and lead stars, it was one of the first notable genre hybrids, the success of which would generate a legion of evolving formulaic successors. And from brief flashes of violence early on—like the way he nonchalantly tosses a man down a flight of stairs by his belt buckle—we surmise that he’s still more than capable of sudden action. The plot even turns up in a surreal and farcical context in Blazing Saddles, a near remake released thirty-five years later, with Madeline Kahn doing a paralyzingly funny send-up of Dietrich as Frenchy that somehow dims Marlene’s luster not a bit. As scripted by Elmore Leonard, the storyline involves a posse, led by wealthy and ruthless landowner Frank Harlan (Robert Duvall), who recruit Kidd to track down renegade bandito and wannabe revolutionary land reformer Luis Chama (John Saxon).

Get it at Amazon:If you enjoy reading Cinapse, purchasing items through our affiliate links can tip us with a small commission at no additional cost to you. Early on, Robert tosses a dog, who was accidentally killed by a coworker, into the gravel pit for an unceremonious burial. After a career drought, Marlene Dietrich roared back to fame and acclaim with this ingenious comedy-western hybrid, made in what is widely considered one of the peak years of the studio system. Reviews New 4K digital restoration by Universal Pictures in collaboration with The Film Foundation, Marlene Dietrich, Jimmy Stewart, James Stewart, Mischa Auer, Charles Winninger, Joe Pasternak, Joie Lee, Daphne McWilliams, Previous page of related Sponsored Products, Fantastic Western, Excellent Blu ray Transer, Reviewed in the United States on April 25, 2020. Filmmaker and author Alex Cox provides an authoritative commentary, albeit one that starts off a bit slow and seems on occasion out of sync with the on-screen events. An earlier scene showed him acquiring a book that, judging from its Spanish title, might well be a copy of Italian poet and novelist Cesare Pavese’s diary The Business of Living. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. Filmmaker, writer, and archivist Gina Telaroli offers an overview of King’s life, claiming that he was underrated because he lacked the flash of such contemporaries as John Ford and Raoul Walsh. We keep hearing of how violent Ringo once was, yet what we see is a likable, tentative, assured person who desperately wishes to be left alone. The resultant contrast between abundant light and incipient darkness, as Braddock faces his own certain demise, makes for a truly compelling final flourish. In the back is a little girl, played by soon-to-be starlet Betta St. John. When the repressed memory is finally recovered, it yields Body Hammer’s one real fetishistic flourish: an act of simulated fellatio, playing on that old gun-equals-penis metaphorical chestnut, that turns suddenly and gruesomely mind-blowing.

In the The Hit’s memorable final scene, Braddock attempts to cross the border into France disguised as a backpacker. In an on-camera interview, actor Don Stroud discusses getting the role in Joe Kidd after working with Eastwood on Don Siegel’s Coogan’s Bluff, the fractious relationship between director John Sturges and Eastwood, working with other cast and crew members, and filming his unusual death scene.

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